Player Elimination

Many competitive games have abandoned Player Elimination as a mechanic for one simple reason: it’s not fun.  I was reminded of this when we played a 6-Player version of King of New York and I was eliminated fairly quickly in the game.  After being eliminated, I just sat there and watched the game.  Whee … that was fun.  I was reminded of all the fighting game like Risk or Diplomacy or Monopoly where you win by eliminating all other players. And I remember I hated being the eliminated player … watching and not playing.

Cooperative Games

Here’s the thing: one of the reasons I was drawn to cooperative games is that they almost never have the Player Elimination mechanic.  I am thinking of games like Defenders of the Realm, Pandemic, Codenames Duet, and many many more (!) where there’s not even any way to be eliminated.   And it doesn’t seem like the mechanic is even missing: I am  fighting monsters, but I don’t worry about dying!! I don’t miss it at all.

Hit Points or Limited Resources

I’m actually lying a little bit: these games have Player Elimination, it’s just that ALL players are eliminated at once and lose the game!!!   Consider the losing rules for Defenders of the Realm:

If you look at Pandemic or Defenders of the Realm, you’ll notice there’s a losing condition if you “run out a global resource”  (cards or disease cubes in Pandemic or minions or crystals in Defenders of the Realm).  If you squint, it’s almost like they are “shared hit points” among all players: if all those “shared hit points” are gone, the players lose.  Said another way, all players are eliminated at the same time!!

There are games (like The Master’s Trial: Wrath of Magmaroth, see above) where all cooperating players lose if just one of you dies!  So, players have to make sure to keep everyone alive as during play!  If just one of you dies, game over and you lose!   Really, this is another way of preventing the grumpiness of Player Elimination:  If any player is eliminated, the game is over so that the eliminated player doesn’t have to “suffer” through a continuing game where he is not playing.

This seems like a good thing: I disliked the Player Elimination mechanic and I was glad to see it was rarely an issue in cooperative games.

So why did I add it to Sidekick Saga?

Take It For the Team

Sidekick Saga is a cooperative superhero game for 1-4 players.  As long as at least one Sidekick  is still alive, the game continues.   Any Sidekick who dies is:

1. eliminated (in Dark Legacy mode) or 
2. continues in reduced utility (normal Legacy mode).

And the game still continues.  Either way, the Sidekick who dies suffers the same problems seen in Player Elimination in Competitive Games!!  Why on earth, after arguing earlier for hating this mechanic, would I add this back in?

In a phrase, because death has meaning!  If, as a superhero, I choose to “take it for the team” in the late game so that we can win, my death has meaning!!

The only way we could win was for Blackbird to run into the Ice-a-cane!  His sacrifice made it so we could take down the Villain in the last turn!  Without his sacrifice, we would have lost!

It is VERY thematic for a group of superheroes to continue after their compatriot has chosen to die to save the team: it’s what superheroes do!! They make the ultimate sacrifice!!

And there’s also the choice factor in the game: by removing the ability for the player to “take it for the team”, the game has fewer choices.   By adding the ability to choose Player Elimination, players can choose to make the painful, tortured choice if they think they have no more options.

It’s a very human thing to do the right thing, to make the ultimate sacrifice for your group.

Other Games

Set A Watch is another game where play continues even if another player is “eliminated” (in this case, all players are exhausted).  Players are given a choice of who will “exhaust an ability” card, and players may realize the only way to win is for Fred to completely exhaust himself so that the team’s remaining abilities can take out the bad guys.  Like Sidekick Saga, it’s the choice that matters.

Marvel Champions is another game where players can continue even of their compatriots are eliminated.  Very thematic for a superhero game!

Gloomhaven is another game where play continues even if other players are exhausted. Again, it’s the choice that matters.

Conclusion

In the last turn, Delphi appeared and made the ultimate sacrifice, taking all the damage from the Bad Guys.  This left Epsilon Wave open to open the portal and banish the evil villain at the last minute …  Delphi’s death was not in vain: only her sacrifice allowed Epsilon Wave to do what was needed.

At the end of the day, Player Elimination in a cooperative game can be useful and interesting  as long as it is a choice and it has meaning.  It’s when the elimination feels arbitrary (preventing you from playing after you are booted from the game) that  Player Elimination is a undesirable mechanic.

Of course, you have to make sure you aren’t being bullied by an Alpha Player to make the ultimate sacrifice, but that’s a different issue …

Let not mince words: I picked this game up because Tom Vasel raved about it on the Dice Tower (and gave it a 9.5/10).   It’s a cooperative storytelling game, set in a Pirate universe.  It seems to be “fun” pirates (corsairs? like Julio Soundrel in Order of the Stick) instead of dirty, grumpy, filthy pirates.   Recall that The Secret of Monkey Island is my favorite game of all time,  so this was an instant buy!  It came out in the beginning of April and I picked it up (ordered it online) immediately from the manufacturer. EDIT: At the time of writing this review, it’s already sold out!

I also got some “Special Swag” (basically a card and token holder, see below) by ordering directly from them.

Components

The game looks fantastic.

The core of the game is an Adventure book: each pair of pages has a beautiful and thematic picture on the left and “some actions” on the right when playing.

There’s quite a bit of cardboard … (see above) …

There’s some dice and cards (1 12-Sided for each player and some standees) and not too many mini cards.

There’s some player sheets: WARNING!  You only get so many, so it usually makes sense to print characters sheets from the web site rather than use the pristine ones (or copy the pristine character sheets).  There is EXACTLY one character sheet for each different type of pirate, so you might not want to use these out of the box…

And some logs for how far along you get.

Overall, the game components look really nice.

The Rulebook

I think  that manufacturers are learning: the last few games I have looked at have had excellent rulebooks.  This one is no exception.    The first page(s) have lists of components, so you can know the names of components as you set-up the game.

The Set-Up is pretty good, although it is a bit complicated by the fact that there are no solo rules in the rulebook (but see below).

In general, the rulebook is excellent overall.  My only complaint is that it is a bit spartan: it barely fits in 8 pages and a few times I needed some rules clarifications.  But, you get through it.

You Need An App To Play The Game

This may be a sticking point for some people: you need an app to play the game.  Well, it’s not even an app: it’s a website.   So, just point your phone or your pad to it.  The app (sorry, website) is decent.   The coolest thing is that the first scenario has “acting”, “sound effects”, and lots of great content.   At the time of this writing, they only have these little touches for the first scenario.  After that, one of your players will have to read a lot of text from the screen: it’s a storytelling game after all.

So, I found the app (sorry website) to be a bit clunky.  You can’t “go back” in the browser, you have to go back in the app (website) itself: there’s a button at the top. Many times, I wasn’t sure what to do next from the app.   At one point, I pressed the wrong button and went “somewhere”, but I couldn’t back arrow to get back to where I was!

Here’s the thing: there’s not THAT much state stored in the app (website), so you can usually just reset the whole thing and start over if you ever get to a weird spot.  So, I was able to get around and use it, and when I was really into it: the voices and sound effects were totally on point!  Every so often (more often than I care to admit), I’d just press the wrong thing, or forget something on the previous page … and couldn’t go back. So, I’d just start over.  And it was ok.  A little clumsier than I expected.

Solo Rules?  Sorta?

The game, when you buy it, says 3-7 players on the box.  If I had seen that, I wouldn’t have bought it!! I only got it because Tom Vasel raved about it so much.  But, here’s the thing: When you open the app (sorry, website), you get both solo and 2-Player rules!  And these are rules provided by Plaid Hat, so they are “official” rules.    I think Plaid Hat is doing themselves a disservice by putting 3-7 on the box, because, like I said, I probably wouldn’t have bought it if I just saw the box.  They totally could have put 1-7 on the box.

The solo game worked well.  I wish they had a way to PRINT out the solo rules!  They are ONLY IN THE APP!  So, whenever I had solo rules questions, I had to “break” my flow and find it in the app (sorry, website).  I probably should have just opened two tabs in my browser, keeping on the solo rules in one tab and the app (website) in another.  Listen, the solo rules are good, but they are more complex than you might expect.  I think I ended up writing down the major rule changes ON A PIECE OF PAPER so I could have that in front of me as I played.

The solo rules work pretty well, especially as a way to learn the game.

Gameplay and Expectations

I lost my first solo game.  I had fun, but I was kind of annoyed.  And that’s MY FAULT that I was annoyed: I didn’t set my expectations properly.

So, here’s the thing: the game is JUST A STORY TELLING game!  At some point, you’ll make choices that seem fine and something dumb will happen.  Or you’ll just die.  BUT THAT’S THE WAY STORYTELLING GAMES GO.

I really liked the Tales of Arabian Nights Game (another storytelling game), but only after I set my expectations.  It’s just an experience (not a game) where stupid stuff  happens to you and you don’t really have a choice (you “choose” things in the game, but the choices never correlate with the results).  Our three main complaints with Tales of Arabian Nights:

1. It was too random (your choices don’t really matter)
2. It was too long (we always set it up to be half the length)
3. The gamebook was full of so much reading, should have been an app

Forgotten Waters fixes (most) of these!

1. You have choices that boost your stats, and the choices matter much more.
2. The game has scenarios which you can save halfway through and come back if they are too long (save it by keeping track in the log book)
3. There is an app for the text, and even better, it adds effects and reads it for you!

So, I am very happy that Forgotten Waters fixes a lot of these problems.  But …

Choices vs. Fiddliness

The game has Mad Libs section at the start of the game: this really makes the game silly and invests you in the game.  I, of course, went with Monkey Island references.

As you play through the game, you get to make  choices to “up your stats”: Exploration, Brawn, etc (see above).  At certain points in the game, you also get to fill in your constellation (the star cluster above) and when you get to a !, something happens which is very peculiar to your character! Very cool!  The actions you make in the game help you choose “which stats” you up.

The main way you up your stats is when you take actions: on the right page of the adventure book are 6 actions you can take, and each one has its own effect: some advance the plot, some advance your stats, some clean up the ship, some add hull, some add crew … there’s a lot of things you can do!

Here’s the thing that I had trouble with.  The game has a lot of fiddliness.  Look at all the things you have to maintain!

There are boards for each position: see above: Cooper, First Mate, etc.  There’s 6 roles, i.e., 6 pieces of maintenance per turn.  Then there’s the choices of actions (where to put the 4 pirates in the rulebook), where to sail, which hexes to put out, etc…

So, putting all this together, it feels like you all your choices should be making your way towards a final game!  And there’s a lot of choices!  But, at the end of the day, YOU ARE SIMPLY BEHOLDEN to some random events.  That may kill you.  Or something worse.

I was annoyed because I was making “choices” throughout the game, doing lots of maintenance and upkeep as I played, and then I died because I turned over the wrong card.  The End.

IF you put your brain into the mindset “THIS IS A STORYTELLING GAME”, then this will be real fun: the movement, the stories, the app (website), the flavor text, the mad lib games ALL make the game full of flavor!

The choices you make still help the game flow, but at the end of the day, you can just die and totally destroy your game.   If you think you can out-think the game, nah, then you are playing the wrong game.   This is a Storytelling game.

Conclusion

At the end of the day, this is a fun game.  It fixes a lot of the problems with a lot of Storytelling games (like Tales of Arabian Nights), and the game has a fun sense of humor.  Although I had problems with the app (I mean website) and the basic “fiddliness” of the game, I really did like it.  I think this game will work best with a group who can laugh with each other/at themselves while they play.  The solo experience was good enough to learn the game, but I think the game will really shine when played together as a group.

Appendix: Choose Your Own Adventure

My game group really enjoyed the first Choose Your Own Adventure: House of Danger game because it was stupid fun.  When I played, I set my expectations: we made choices as a group and read through a dumb adventure.  We died a few times, but we didn’t care because it was so easy to reset and continue.  Forgotten Waters is like that, but the set-up and maintenance is a bit heavier, but you are rewarded with a more customized game with prettier graphics and effects.  If you are looking for a game with a storytelling where your choices distinctly matter, then you should look at Detective: City of Angels:  It’s a murder mystery with limited replayability because once you have played through it, you know the answer!  Some other games with story books (that have a real game underneath) are Agents of SMERSH and Near and Far.

Endangered is a cooperative board game about endangered animals: You all work together on a “global scale” to help save (in a conservation sense) some endangered animals.  This game was on Kickstarter in April 2019 and successfully funded.  It delivered to me about a week ago (April 7, 2020).  It promised delivery in March 2020: given the current state of the corona virus, a month late is actually pretty good.

I won’t be doing a full review until I can get this played with multiple people!  Multiple people playing is really difficult right now with Social Distancing.  So, you may be waiting a while to see Part II of this review.   I can tell you my initial thoughts from my first solo play.

Components

The game looks real nice: the back of the box shows some of the components and does a good job describing the game.

Upon opening the box, you see lots of cardboard (well, not too much) and lots of little wooden bits.

The board is packed interestingly: notice the foam around the edge!  The foam holds the board firmly in place.

The little bits in the game are good quality: the orange wooden tigers pieces are especially nice, as are the brown otter pieces.  The dice are interesting …

The main board is two sided: one side is for the Tigers (pictured above) and one side is for the otters (not pictured).

The cards are all linen coated.  For some reason, the iconography and pictures remind me of Pandemic …

I am always so happy when the game has summary cards!  One for each player (2-sided, both sides shown above).

The components, overall are very nice.

The Rulebook

This is one of the better rulebooks I’ve read in a while.  First of all, it starts with the components VERY CLEARLY labelled, so you can go through the game and find everything (see picture above).

The set-up is right there on the next page, describing general set-up and player set-up.  There’s very nice pictures showing everything.  This was a really good start!  I had no trouble diving into the game.

Overall, the rulebook was excellent!  The rules were described well, the pictures showed what was needed, the art was very nice, and the book had big fonts (I don’t like rulebooks with small fonts).  In general, I wish all rulebooks were this good.

Again, for some reason, this rulebook reminded me on Pandemic: it had a vibe like Pandemic.

Set-Up For First Game

The game set-up pretty quickly: see picture above.  It looks nice on the tabletop.  I was able to keep the rulebook open while I played the game (lower left).  I did need the rulebook open much of the game, even though the summary cards are good.

The first major decision during set-up: do you save the Otters or Tigers (or, if you have the expansion, the Pandas)?    I chose “Tiger” because that’s what the Rulebook defaults to for the first game.  By choosing “Tiger”, I choose side A of the board (green jungle in the middle), a certain deck of Bad News cards (called IMPACT cards, on the left side), some “Tiger” minis  (in the jungle board) and the “Tiger” dossier, which describes how the “Tiger” game is different from the main game.

Each player then chooses a role: each role has special abilities.  The Zoologist above has a special ability for Migration Paths.  Each role has a different special ability.

Solo Play

So, this cooperative game has dedicated solo rules (Huzzah! They follow Saunders’ Law).  It’s a very straight-forward solo game: the solo player takes the role of two roles who alternate play.   It seemed to work pretty well, although there was a lot to learn on your first play.  I am always a big fan of solo rules that only make you use one character, but there’s a reason you have to have two characters: this game is (among other things) a dice-placement game, and you need the tension of having some of the dice locations unavailable when your character plays.  That seems to be a core mechanic in the game, and taking this away this tension for a one player/one character solo play would immensely change the game.

First Play

The object of the game: You are trying to convince a certain number of nations to enact laws to save the Tiger, and each nation has a different “victory” condition (usually, you just need more influence)!  You win if you can convince enough nations to save the Tiger!  To accomplish this, you perform actions.  You perform actions by playing dice.

The game, at its core, is a dice-placement game.   The game starts with a few Locations in play, but as you play, you can add more action cards.  The game is interesting, because each role has a different set of action cards!  On your turn, you have to make the hard decisions!  You have three dice, and each die is placed on a card to perform an action.  NOTE: you can only place a die on a card if it is GREATER THAN all other dice already on the card!

The game is replete with conflicting decisions:

1. Do you spend an action to help the Tigers (in the jungle) mate so their numbers soar?
2. Do you get spend an action to get money?  (Money is important for so many things)
3. Do you spend an action to gain influence?  (Influence is spent on some ambassador/nation to try to get them enact protection laws)
4. Do you spend an action to put out an action card?   (At the start of the game, there’s only a few actions out, so you have to spend actions to put out more actions)
5. Do you spend an action to stop the encroachment of society into the jungle?  (This is represented by tiles in the jungle, blocking places where the tigers can go or mate)

Every action is precious.    In the early game, you tend to try to put out actions to try to get better actions out.  In the late game, you are doing everything you can to keep the Tigers alive!

Bad News/Impact Cards

Like many cooperative games, there are Bad News cards which make the world worse for the tigers.  In this game, they are called IMPACT cards (see above).  Each animal type has its own IMPACT deck (above is the Tiger).  Some of the IMPACT cards are persistent, (which means they stay out the whole game (unless you do something)) and some are one-shots (one and done).  After each character plays a turn, an IMPACT card comes out.

End of First Game

In my first game, I lost.   There is only one way to win the game: Get 4 or more Yes votes from the Ambassadors in either of your two Voting Years.

There are three ways to lose the game:

1. If the Animal population on the board is ever reduced to 1 or 0 Animals, the group immediately loses the game.
2. If the group is ever required to place a Destruction tile on the board and there are none left in the supply to place, the group immediately loses the game.
3. If the group fails to get 4 or more Yes votes from the Ambassadors in the second Voting Year, the game is over and the group loses the game

I lost because I ran out of time: I didn’t have enough Yes votes from the ambassadors.  It was a rough game.

Sources of Randomness

I was frustrated in my first game because I lost so hard.  At the end of the game, there were so many persistent (5!) IMPACT cards, it was a bit of a slog dealing with the Bad news every turn!!!  I was thinking about why I was frustrated: there were a number of sources of randomness and I had trouble mitigating those.

1. IMPACT cards.  The persistent IMPACT cards didn’t seem to have a way to mitigate them.  After I finished, I realized that SOME of the IMPACT cards allow you to spend money to get rid of a persistent card, but those didn’t show up for me in my first game until after ALLL the persistent cards came out.
2. Tigers Mate.  To see if the tigers mate, you roll a 6-sided die.  The more tiger-pairs that there are, the better your chances  (Basically, you have to roll under 1+n, where n is the number of tiger-pairs).  You can mitigate this by keeping the Tiger numbers up.
3. Action cards.  At the start of the game, you only have two of your action cards from you deck available. After every turn, you get to draw another one, but the action cards from the decks tend to come out very slowly.  (Some of the decks have actions which allow you to draw 3 action cards instead of one as a mitigation technique).
4. Destruction tiles.  Each turn, you have to place a destruction tile.  You choose a row (or column) and you roll a die.  If the destruction covers a tiger, oh well!  (You lost that tiger).  The mitigation technique is basically you get to choose a row/column (that has a tiger).  But you still have to roll.

Although there were ways to mitigate the randomness, I felt like I didn’t have a lot of control over that.   Now that I know the game, I think the most important thing is to get some better actions out quickly.  I realize that I had bad luck: my action cards weren’t great in the beginning, I rolled terribly in the “Tigers Mate” and the “Destruction”,  and I drew all the persistent cards without the mitigators.   So, I was frustrated.  I suspect my second play will go better … it has to!  I am a little  worried about there being too much randomness, but now that I know the game better, I’m hoping the next game will go better…

Conclusion

In the end, this game reminded me a lot of Pandemic with perhaps a little more randomness.  The rulebook was excellent, the game looked great, and there were lots of interesting decisions.  In general, I had fun.   My only worry is the amount of randomness in the game might be frustrating: we’ll have to see with future plays.

In general, this a good game: I am glad I kickstarted it, and I look forward to playing this with my game group(s) to see how it goes.

One of my top 3 games of all time is Arkham Horror, 2nd Edition.   My friends and I played the heck out of it when it first came out, and we still play at least once a year for Halloween (I have at two copies for two groups)!  It seems to be a real crowd pleaser in my game group(s), but it’s not for everyone: it has a lot of rules to absorb and a lot of components to manipulate.  My game group(s) have absorbed it and know the game quite well.

Something happened as we played Arkham Horror more and more:  we started to “streamline” the play.   The rules (above) dictate that play proceeds from the first Player (clockwise), and each player must finish their phase COMPLETELY before moving on to the next player.

To quote the rules (see complete rules here, page 5):

During each phase, every player, starting with the first player and continuing clockwise, performs the actions that take place during that phase

When we are playing strictly by the rules, our game play is sequential: every player action has to finish before the next player action completed.

We noticed this was taking waaaaaay too long!!! So what did we do??? We all started taking our turns at the same time!  Basically, everyone gets tired of waiting for “their turn to come”, but since this is a cooperative game (and we are all working together), we can all go at the same time!  We all perform UPKEEP at the same time.  After that’s done, we perform MOVEMENT at the same time, and so on.

In this mode, we are play each phase concurrently: players all act at the same time!

Visualization of Sequential and Concurrent Play

One way to think of the sequential play is to visualize it as a line of actions: Player 1 performs UPKEEP, player 2 performs UPKEEP, (UPKEEP complete), player 1 performs MOVEMENT, player 2 performs MOVEMENT, (MOVEMENT complete) and so on.

In concurrent play, you can think of each phase as a giant bubble of activity: all players perform UPKEEP concurrently (waiting for each other to finish).  Then all players perform MOVEMENT concurrently (waiting for all other players to finish), and so on. See below.

This particular concurrent method SIGNIFICANTLY speeds up gameplay, as there is much less waiting!  In fact, this very idea is used in Computer Science to make computer programs go faster!!! You take a computer program and parallelize it, causing a bunch of work be done!  In Computer Science circles, this idea is expressed in many ways: the Scatter-Gather, Work Crew, or Map-Reduce. (See here for reference)

If you can do this, this is an easy way to parallelize, or make gameplay faster!

Sequential Consistency

The problem with all of us acting at the same time was that were times  when two (or more) players collided in their actions!!  For example; What if we both drew from the same deck?    Since this is a friendly, cooperative game, the order we might draw from the deck doesn’t matter: we just both draw and one of us just happens to go first.  If we were feeling pedantic, we would draw in player-turn order, but most of the time we didn’t care: it was better to be moving quicker through the game than care about “who-got-which-cards”.

If we were pedantic in our play, we were ensuring that the game was playing EXACTLY the same way as if we had played WITHOUT the concurrency.  In other words, if everything happens in the exact same order as the game had played WITH THE SEQUENTIAL RULES.  If we can do this with our concurrent play, we are ensuring sequential consistency.

In other words, as long as we are pedantic in our concurrency, we are ensuring that the game plays out in exactly the same way: it is sequentially consistent.

Relaxed Sequential Consistency

In Arkham Horror, the decks (see above) we draw from are meant to be a source of randomness: the card we draw is meant to be “a random card”.

If that’s the case, does it matter if we are pedantic in the order we draw cards?  We just want a random card!  If that’s the goal, the order shouldn’t matter as long as we are (nominally) getting a random card!

If there are things that really don’t really matter the order that they occur (i.e., , two players drawing from a deck at the same time like above), then we have relaxed consistency.

In the end, this was how we played Arkham Horror 2nd Edition: Concurrent turns with relaxed consistency.   This model helped the game move much faster!

(In fact, the game even says that’s okay …)

Seven Wonders and Simultaneous Action Selection

It’s funny: 7 Wonders has weird place in my game groups: people love it or hate it! (It turns out, it’s just my game groups, see here).  But one thing everybody seems to like is the Simultaneous Action Selection!! This is very similar to what we ended up with in Arkham Horror (concurrent play with relaxed consistency), but the concurrent play  in 7 Wonders is much smoother.  Frankly, there’s only two main phases (passing cards concurrently and then playing cards/effects concurrently, see below)! 7 Wonders has been designed to avoid the consistency traps we saw in Arkham Horror!  Arguably, that’s Simultaneous Action Selection’s greatest feature: simple concurrency with no need to ensure a consistency model: that’s just the way it works.

If you squint, you can visualize the two concurrency phases in the main play:

1. All players select 1 card and then pass the rest (ALL HAPPENING CONCURRENTLY)
2. All players reveal and “act” on their card (buying it, putting it under wonder, etc) (ALL HAPPENING CONCURRENTLY)

That’s why 7 Wonders works so well with a large group: large amounts of concurrency!

Sidekick Saga and Concurrency

The goal of Sidekick Saga was to achieve the amount of concurrency in 7 Wonders, but in a world that must be explored (like Arkham Horror).  Sidekick Saga was designed to be a Simultaneous Action Selection game …  but, it turns out, concurrency is hard.

Originally, the Sidekick Phase (see above) was meant to be purely Simultaneous Action Selection: players strategize together at the start of the phase, then each perform their entire Sidekick Phase completely concurrently!  But several things got in the way:

1. There was the matter of the Lead cards: they are obtained at the end of the turn and can’t be shared that turn (thematically, you spend your whole turn running down a Lead so you can’t share it just yet).  Can I pass newly minted Leads when I get them?  (Answer: no)
2. When you can pass cards?  Can I pass a card I got this turn? (Answer: yes, but only if it wasn’t passed to you this turn! Only if you picked it up!)
3. What happens when two players draw from the same deck?  (Similar to Arkham Horror, but now order can matter if you have the X-Ray Specs)

Addressing each of these is simply a matter of making sure you ensure sequential consistency, but there’s just enough edge cases/rules that it can be confusing, especially as players are learning the game.

So I backed off Simultaneous Action Selection to a Concurrent with sequential consistency model  … like Arkham Horror.  At least players would getting SOME parallelism.  Recall, however, that model was achieved ONLY BY EXPERTS AT Arkham Horror!!  Playtesters, even with experienced players, got confused by the model.  So, I had to introduce a purely sequential mode: Novice!

In an ideal world, there would be three modes of Sidekick Saga:

1. Novice (as players become familiar with the actions): sequential play
2. Normal (once players are comfortable with the actions): concurrent play with sequential consistency
3. Advanced (players know the interactions very well): concurrent play with relaxed consistency, approaching Simultaneous Action Selection.  (For this to work, we have to be sure to have rules to deal with of the few edge cases we identified above).

The problem is that Novice was a bad word to use (and what Rahdo picked up on his “Final Thoughts” video).  Novice implies someone who is perhaps not used to modern board games: that’s not at all what I meant!  I meant someone who is new to THIS GAME!!  So, that’s my fault.  What I should have used:

1. Normal (sequential)
2. Advanced (concurrent play with sequential consistency)
3. Expert (concurrent play with relaxed consistency)

The Second Edition of the game will fix this (and there will probably be an updated rulebook on BoardGameGeek).

Conclusion

Concurrency is hard to think about.   In Computer Science curriculum, concurrency is so hard, it’s typically an upper-level college or graduate level course (When I took it, it was a graduate level class). SOme of the lessons I have learned here:

1. Don’t introduce concurrency unless it’s very simple concurrency (like 7 Wonders and Simultaneous Action Selection)
2. Realize that concurrency can be hard (and name modes that use it appropriately)
3. If you are going to introduce concurrency, make sure your rules explain it well and have lots of pretty pictures

 

 

This is a review for Ni No Kuni II: The Board Game: this is a cooperative board game for 1-4 players, ages 14+.  But of course, we have to discuss the video game first!

The Video Game

Ni No Kuni: The Wrath of the White Witch was originally a video game I played for my PlayStation 3 back in 2013.  I had picked it up because it had gotten good reviews as a solo adventure game (and it was by Studio Ghibli, which has a stellar reputation).  It was surprisingly addictive, and I ended up playing through the whole thing.!  My intense like of this game was a surprise on multiple levels! Why? Because (a) I am not in Anime (b) the game’s theme is slightly “cutesy” (c) the first few plays was fairly basic.   The game was quite addictive and really evolved as you played.  In the end, Ni No Kuni was one of my favorite PS3 games!

The Board Game

When I saw an announcement for Ni No Kuno II: The Board Game, I have to admit, I was very excited!  The PS3 game really captured my imagination.  Would the board game?

Components

The components are very nice and evocative of the original Video Game.

Each player in the game takes the role of one of the characters: Bracken, Tani, Roland, Etc.  Each character has a different special power and their own miniature.

Each player also gets help on the form of the “Higgledies”: little pets/sidekicks who help you in the game.

The Board is nice and has nice art.

The monsters are far too cute, and very evocative of the original game.

In general, the components are very evocative of the original game.

Rulebook

The rulebook is very good.  It’s fairly short, gets to the point, and it has some nice examples and art.

I am always very happy when the game describes what comes in the box.  NNK does a great job of this, showing actual pictures of components with some descriptive text as well!  Very nice.

A good rulebook shows a nice picture of the set-up as well (see above).  I wish they had some labels and a little more “step-by-step” set-up, but honestly, this was good enough.  You get a sense very quickly what the game looks like when set-up and how to play.

I was up and playing fairly quickly because the rulebook made it easy.

Gameplay Overview

The gameplay is fairly straight-forward: you take your character (and possibly some Higgledies with you) on some quest(s) (you can send multiple characters/Higgledies on quests simulaneously).   Quests involve rolling dice, depending on how many characters and Higgledies you send on the quests.

Each quest has a monster associated with it: if you defeat the monster, you get the resources (coin, experience, supplies, and possibly 2 special resources).

After all quests are complete (a failure means you simply don’t get the resource), you can use your resources to buy buildings for the map:

Every building has a cost, but you need buildings!!  To defeat the final bad guy, you need the Kingdom Influence (upper right corner) of your all your buildings to be MORE than the Influence of the final Boss!

By the end game (the game only lasts 5 rounds), you need enough power of your buildings to beat the final Boss!

That’s the basic idea.

Gameplay Discussion

The game moves pretty quickly: sually it’s over in about 20 minutes.  The decisions are fairly simple.

1. Which Quests do I want? (Can I defeat the monsters ON those quests? What resources are on that Quest?)
2. How many Good Guys (characters, Higgledies) do I send on a Quest?
3. If I win, which buildings do I buy?

To solve each Quest, you roll some dice (based on your combat stat: combat, ranged, or magic) to see if you defeat the monster.  So, the number of Good Guys you send on a Quest informs how many dice you get.

In the end, the game is .. a little bit of a math problem.  (Don’t say this too loud or you’ll scare some people away).  What are the odds I will win this Quest based on the number of Good Guys I send?  Can I get enough resources to buy a good building?  Do the sum of the buildings beat the (Big Bad) Boss at the end?  The trappings of the game are very cute and thematic, but at the end of the day, this feels kind of like an abstract counting/math game.  That’s not a bad thing, but once you see it, you can’t unsee it (so don’t tell your fellow gamers).

Solo Rules

The good news is that this game has solo rules (ya, Saunders’ Law), and these rules are easy to understand.   Unfortunately, the game doesn’t work too well (as given) as a solo game!  As you are playing, you don’t have enough resources to make a lot of decisions: you only have your character and 2 Higgledies. EVERY time I played, I just went on one quest, because I didn’t have enough Good Guys to even try multiple Quests!  And I got unlucky, each quest has a “mininum” number of Good Guys you place, and I NEVER had a Quest that could take just one guy.  Honestly, as a solo game, I never felt like I had a lot of choices: there was an “obvious” quest I had to go on, and that was all I could do … all  I got to do is roll dice.  For a while, I  was pretty down on this game because of the solo game!

BUT, if you take the role of 2 characters, and pretend the game is a 2-Player game, your decision space opens up!  Then, you feel like you can make more decisions, and it’s a lot more fun!

So, I will say this: play the solo game (from the rulebook) to learn the basic rules of the game.  From then on, play the solo game as two characters in a 2-Player game.  The game is much more interesting.

Big Bad Boss Special Powers

One mistake we made almost every time (in the first few plays) was NOT looking at the Boss  The endgame Boss you choose really changes how the game plays and honestly changes up the game quite a bit.  I would almost recommend IGNORING the Boss special powers the first time ANYWAYS (because the Boss’ special power makes the game more random).  Honestly, since you aren’t supposed to turn over the Boss until the last turn, you forget the Boss even HAS special powers.

Just ignore the Boss special powers for your first few games.  You will (on accident) anyways.

Conclusion

At the end of the day, this is a very light cooperative game.  Actually, it might be too light for some heavier gamers.  The theme and the gameplay itself are both pretty light. It works much better as a multiplayer game than a solo game (unless you use the special 2-Player solo rule presented above).

We found that this game works (for my game group) as a “I’m waiting 20 minutes for Andrew to arrive”  game or an “End of the Night: Our brains are fried” game.   It’s a light co-op with enough decisions to be interesting, but not a lot of huge decisions.

The 14+ age rating seems weird to me: I think that younger kids (with the guidance of an older parent/adult) would really like this game. (It’s probably because testing games for 14 and under is expensive, and it’s usually just cheaper for the manufacturer to put 14+ on the box).    I can see this being a gateway game for younger kids to learn about some more modern concepts (gathering resources, buying buildings, computing the number of warriors to commit) in board games.

At the end of the day,  this is a pretty simple game (with some luck) and some nice components.   I don’t think this game for everyone.  If you like the theme, I suspect you will enjoy playing in this universe.  If you want to play a simple co-op game with your young niece, I suspect you and your niece would enjoy this.  If you want a very light co-op (end-of-night game, waiting for someone game), this is a good time filler.  If you want a heavier game, this is probably not for you.

 

At Dice Tower Con West 2020, Tom Vasel (Dice Tower) and Richard Ham (Rahdo) gave their Top 10 Most Important Games of the Decade.

Top 10 Most Important Games of the Decade 

At the 12:25 mark in the Video, Rahdo comments on how important Hanabi is:

[Hanabi] is an important milestone in the evolution of board game design because it is cooperative game where you have imperfect communication between players …

There are other games previously that had imperfect communication (for example: Shadows Over Camelot, Battlestar Galactica), but Rahdo’s point was that Hanabi (by being Spiel des Jahres winner) made imperfect communication a common mechanic in cooperative games.  Rahdo goes on further to say how imperfect communication was important because it allowed cooperative games to have “zest” and “surprise”.

Whether you agree with Rahdo or not, (Rahdo says he can show you  data on BoardGameGeek to back up his opinion), cooperative games with imperfect communication are very common and here to stay (Hanabi, Mysterium, Muse, Wonder Woman: Challenge of the Amazons, Shipwreck Arcana, Far Away to name a few).

But what does that mean for the solo gamer?

Solo Rules for Many Cooperative Games: Usually Just Play 2 Roles

Over the past few years, I’ve had to come up with some solo rules for many games to learn them. As I’ve said many times, game teachings go a lot faster when someone knows how to play, so it behooves a board game to have a solo mode so someone can sit down and learn the game by themselves.   Most of my solo rules have been for games without imperfect communication: Sentinels of the Multiverse, The Captain is Dead, and Unicornus Knights to name a few.  In those games, it’s usually easy to just expand and make the solo player play multiple roles (like 3 in Sentinels or Unicornus Knights).   Those games work because the solo player is simply taking over other players’ position(s) (as well as his own) and playing the game normally.   No information is hidden, and the solo player can strategize with himself just like he would strategize with his compatriot. Out in the open.

But how can you play multiple characters/roles if information is supposed to be hidden?

Navigating the Abstraction Hierarchy

Let’s take a pointed detour.

In my job, I am a computer programmer (Computer Science).  Much of my time is spent trying to figure out why a computer program is not working.  It can be as simple as the input wrong, or something as complicated as subtle logic errors across many programs.  The thing is, you almost never know what’s wrong until you dig into the program.  To find the problem, you have to start at the top (intro) of the program and work your way down.  As you go down, you are traversing different levels of abstraction:

• Is this a high-level problem?  (Program run incorrectly by user, files missing, etc)
• Is this a medium-level problem? (Logic error by programmer, modules not communicating correctly)
• If this a low-level problem? (Memory not initialized correctly, array bounds error)

This is a gross generalization, because there are usually MANY MORE levels of abstraction in a real running system.  This simple example, however, conveys the main idea of problem solving when finding errors:

As you traverse the different levels of abstraction, you have to refocus your attention to the level of abstraction you are on.  This means gathering new information about the level you are on, and just as important, forgetting some of the details of the previous level.

In a real world program, there are too many details to keep in your head all at once.  It’s absolutely important to focus your mind correctly and “forget” the unimportant details as well as concentrating on the new details.

Any programmer can tell you how important it is to be able to navigate through different abstractions to get your job done.

Changing Perspective

Another way to phrase “navigating abstractions layers” is to call it changing perspective.   We have to be careful with that phrase, because it means different things to different people.   For an ambassador or a judge trying to settle a dispute, he has to be able to see both sides: he has to be able to change perspective.  Anyone trying to get along with new people has to be able to see where they are coming from: they have to be able to change perspective to the new people.

What’s usually forgotten when you talk about “seeing something from another perspective” is that you have to be able to forget: Forget your own preconceptions, forget your own situation, forget your upbringing.    Forgetting is just as important as focusing when you change perspective.

Of course, changing perspective is hard.  How do you know what to focus on?  How do you know what to forget?  What are the important features to remember?  What are the important features to forget?   With practice, it becomes a lot easier.

Solo Rules for Cooperative, Imperfect Communication, Board Games

We took that detour to point out that being able to remember certain details and forget other details can be an important ability.  It is also the key to making solo rules in cooperative, imperfect communication board games.

The broad idea is simple: when you have to change roles in a cooperative game, you have to learn to “forget” the hidden information of your previous role.

How does this work?  Let’s take a look at an example.

Shipwreck Arcana

The Shipwreck Arcana is an abstract, logic puzzle game for 2-5 people.  Each player has a hidden number, and gives abstract clues to help the other players guess his number.  The information about the hidden number is very precise and exacting: they are just tokens (“clues” if you would) placed on cards to help discover the number.

It seems like there is “no way” you could make a solo game out of this, right?   I mean,  if I know the number, how can I “change roles” and forget the number I am trying to get myself to guess?   In other words, how can I forget?

The idea is simple: you are either the clue-giver or the number-guesser.  Imagine yourself trying to help someone guess the number (that someone is you, but let’s move forward).

• clue-giver: When you are the clue-giver, you try to think about “What’s the best clue I can give to help this other person?”
• number-guesser: When you are the number guesser, you can ONLY use the information the clue-giver has given!   It’s almost like being a detective: looking solely at the evidence, can you deduce what the number is?  It works because ONLY the state of the boards represents all the clues!!!

When you play solo, you alternate between these two roles, “forgetting” the information of your previous role.  This works because you can look at the state of the board as “the only information you know”.  None of the information in your brain can be used when you play, just what’s on the board itself.

The complete solo rules for Shipwreck Arcana can be found here.

Conclusion

Quite a number of cooperative, imperfect information board games have solo rules that can work using this changing perspectives idea.

1. Wonder Woman: Challenge of the Amazons (with solo rules): Play two Amazon Warriors who must “forget” what the other has done when choosing actions
2. Far Away (with solo rules):  Play two teammates who must “forget” what the other has done when choosing actions.
3. Shipwreck Arcana (with solo rules): See above!

It can be hard to wrap your mind around this at first.  If you want to try this idea out, I’d recommend playing Shipwreck Arcana first with this idea—the state of the board very precisely characterizes what the solo player knows, so it’s easier to “forget” the previous role (as you just concentrate on the board itself).   Another idea that worked in Far Away was to to write down (with pencil and paper) “what is the shared information” between two characters—you can only act on shared information that is written down when you are in either role.

Changing Perspective is all about focusing on the important and forgetting the unimportant.

Far Away is a cooperative 2-player game that was on Kickstarter back from November 2018.  It promised delivery in October 2019, and it just delivered a few days ago to me March 14th, 2020.   It is a space-themed game, with a Star Trek Federation “tip of the hat”.  But, the Federation is much more … brutally profit minded in this game.

First Day!

So, when I first got this box, I was excited!  I set aside some time to punch it out and play my first game.  After two hours of punching out cardboard, I decided I would wait until the next day to play my first game.  There is a LOT of cardboard to punchout!

I normally keep all the punchout skeletons (see here), but there is NO WAY I can keep them in this game (at least, not inside the box).  There is just SO MUCH CARDBOARD!

Hexes make up the world: there are quite a few of them (a lot of them are repeated).

There are a number of hearts (for representing lonliness) and stomachs (for representing hunger) and a variety of generic tokens (see above).

Without a doubt, most of the cardboard taking up the box are the monsters.  There are “about 6” tokens for every monster in the game.  There are a LOT of monsters!  They have thought ahead and given us baggies for the monsters … a baggie for every six monsters!

So, it’s very cool that they have a plastic baggie for every type of Creature, it is OVERWHELMING.  The game barely fits together when you put everything back in the box.

If you are exhausted just looking at the pictures, imagine having to punch it all out!

Art and Graphic Design

The art in this game feels like a throw back to a different time.  For some reason, this game “feels” like Nemo’s War and games from a bygone era.

The art is definitely not super hi quality art … it feels like “dated” art.  But you know what?  It works in this game.  This game feels like it’s a “kit” for exploring space back in the 70s.  What little art in the game is mostly on the monster tokens and the hexes.

EVERYTHING ELSE in the game is written with a “dated” typewriter type font, with a few colors here and there.

The game has completely embraced the dated theme, and, you know what?  It works for it.  This game will not win any awards for best art or graphic design, but it’s very functional and it works for this game.

The Rulebook

The Rulebook is decent.  But it’s long, because this is a fairly complicated game.  The rulebook is over 28 pages, and describes a lot of rules, particularly for describing the monsters’ behaviours in the game.  Be aware that it will take some time to get through the rulebook.

The game does talk about the components, but this game shows no pictures.  It only sorta describes the components. This was kind of frustrating (“Why are there 24 + 16 Anomaly cards?  What does the +16 mean?”), but I was able to sort of puzzle most everything out.  Usually, the +XXX meant that there were extra cards of that type for a particular mission.

Set-Up

The Set-up doesn’t show a picture of how the game looks, but it does show abstract representations of how the game should look. There are plusses and minuses to this method (Plus: easier to describe the cards and show more info, Minus: You can’t see what everything should look like EXACTLY on the table).  It worked ok.

I would have loved a picture (like the one above) showing set-up of my first game, but now that I have done it, it’s not too hard.

Tone

So, this game has a sense of humor.  You can first see that when you open the box!  (See above!)

All through out the game, there are little funny puns, dry humor, and little digs here and there.  This dry sense of humor accents the old dated feel, and again makes the game a little more.  The Rulebook was a little hard to get through, but the little touches of humor (nothing distracting) helped make it a little bit easier to read.

Only Two-Player Rules?

This game has only rules for TWO PLAYERS.  That’s it.  This is a 2-Player game.

Normally, I would rant a little here (“Why can’t you have solo rules?  Please follow Saunders’ Law!“), but I will step back for a second before I present some solo rules.

The is 2-Player and doesn’t allow communication unless both players are on the same space.  Period.   I believe you are allowed to see what the other player is doing, but you are not allowed any communication (“No head scratching, no poignant coughs”) until both players are on the same hex space.  Thematically,  you have to be together to talk (and some silly thematic explanation like “The Corporation can’t afford comms, sorry!”).

Mechanically, the game MAKES you come together every so often or you get too lonely and die!  Seriously!  At the end of every turn, both players take “One Loneliness”, and if you ever have 5 Loneliness Tokens, you die of Loneliness!!  So, you are forced, by the mechanics of the game,  to get together every few turns.  In the meantime, though, YOU CAN’T TALK!

It’s hard to have solo rules when the game enforces “Loneliness”.

Solo Rules

So, I understand why it’s hard to have solo rules.   How do you turn off your brain and just run each character separately?  Well, you can!  Two simpler example of this are the solo rules for Shipwreck Arcana and Wonder Woman: Challenge of the Amazons!

In the solo rules for both of those games, you have to switch roles and “ignore” the information from a previous rule.  You can do that here as well!

To enforce this, I have a pencil and paper and “write down” what our goals are while both players are together.  When the two players are together, they can talk and broadly strategize.  I physically write down what we say to make it clear what we “know” together!  Once both characters separate, you play each character independently.  Each player is still allowed to see what the other player is doing and act on that  (based on actions what the other player is doing, as you are allowed to “see” what the other player is doing and what resources they have).  But you just can’t have them talk.

It takes some practice to play each character separately, but this can work as a solo mode.  Many times during solo play, you ask yourself “Do I know what the other guy is doing?”  If not, then you have to move forward using only the information you have (written down) or can see (from the actions/resources) of the other player.

First Game

My first game was a solo game using Mission 0 from the Mission book.  (Oh! Did I forget to mention that this game has Missions that changes up the game?  Sorry!)   Mission 0 has you build 3 Scout Towers.  In doing so, you get to do something simple while still exploring, gather resources, exploring, fighting, and doing the majority of things you do in a main game!

You’ll notice in the picture above that I have the Rulebook open.  You will have your nose in this rulebook THE ENTIRE TIME.  There are just so many rules.

Luckily, the game has a ROUND summary card which really helps the flow of the game. Even though the Rulebook was always open, this little card helped moved the game along.

My first game took about 1.5 hours, although a lot of that time was resolving rules.  The game itself was probably 30 minutes.  I explored and built hexes.   That part sort of reminded me of me of Robinson Crusoe as you explore the island (or planet in this case).  Each hex you explore has “something” revealed: you role a die to figure that out!

1. Resource: a cube endemic to that Biome type
2. Monster: Gulp!
3. Anomaly:  Something random from the Anomaly deck?
4. Resource Track: More resources, like a mineral vein

I think the Exploration was my favorite part of the game!

Creatures

In my first game, I only had one creatures.  I got VERY LUCKY in my exploration die roles.

Each creature that comes out has SO MANY RULES.  Size, Habitat, Threat Radios, Pack Size, preferred Biome, type, diet, behaviors …  (see above).

Here’s the thing:  the Creatures are sooo complicated, the game says you can have a 3-Player game if the third player runs the monsters!  After playing just one creature, I am not sure I played him correctly!  It was aggressive, but he preferred a particular Biome.  So, when I left his Threat Radius, does it still move?  Maybe back to it’s preferred Biome?  Or does it try to move towards the last time it could detect me?  Both seemed reasonable, but the rules weren’t 100% clear when it came to Creature movement.

Oh yes, it’s very hard to find the Creature you want, as you have to search linearly through every bag!  I think to get a sharpie, put the name on each bag and put the in alphabetical order so I can find each creature much faster (log time)!  I just haven’t done that yet.

Conclusion

Back in the early 80s, I used to go to Wargames West every Friday night.   I played all sorts of different games at the store.  This feels like one of those games I used to play.

I liked this game, it felt like a throwback!  It sorta reminded me of Robinson Crusoe  (from its exploration and building) meets Nemo’s War (from it’s style, presentation and rulebook).  I think you REALLY NEED TO PLAY THIS SOLO before you try to teach it to someone else.  And you absolutely need to punch it out and organize it before you even show anybody this!  There is SO MUCH WORK to punch this out.

It’s going to be hard for me to play this with only 2 people, because it seems like I never have just two players: it’s either solo or 3 (or more).  I CAN see playing it solo and I CAN see playing it 3 players (with the third player running the monsters).  Playing solo (with the solo rules I have) is a bit tough:  it’s too easy to “cheat” and tell yourself what you are doing, but I kind of like that exercise.

Hopefully, you can get a sense of whether this is for you based on my description of the gameplay and art and tone.  At the end of the day, I liked it despite the perceived complexity.

 

I had seen that Wonder Woman: Challenge of the Amazons was available from Amazon for March 2nd.  I went ahead and pre-ordered it, expecting it to arrive this week.  For “some reason” (probably money), it was delayed and Amazon asked me if I wanted to still get it … one month later.  Nope.

I went to Target: I saw that it was available on their website …was it in the store?  Ah rats. I didn’t see it.  Was it up front because it was new?  I looked around and didn’t find it.  I was about to give up when an employee asked me:

“Can I help you?”

“Do you have the new Wonder Woman board game?”  (Employee searches on his phone).

“You mean this one?  It’s in the back … we haven’t put it out yet”

Viola!  He brought it to me … and I went home and immediately played it.

Unboxing

The box is nice, although something about the box art strikes me as  … off.  I like the art, but the proportions of the ladies (?) seem off a little bit?  Honestly, it’s very minor.

The game looks good when you open it up:

The board itself has almost a “piece of art” on the back.  That’s pretty cool.  I would have perhaps enjoyed a different map for gameplay, but the art was pretty cool.

There are .. little cubes.   They are fine.

The cards aren’t linen-finished and they seem a bit rough, but I really like the art on them.   They are easy to read and easy to understand.

Components

The board looks great.

There are minis!! The minis are much nicer than I expected!  They look really nice!

The bad guys just get standees from the punchboard (hah hah).

The resource cubes remind me of the cubes in Lords of Waterdeep: the cubes in Lords of Waterdeep are supposed to be Clerics, Fighters, etc.  I always thought that was a very weak corrrelation and kind of cheap.  I have the same problem here: the orange cubes are “Ares troops”, the purple cubes are “corrupted Amazons” and the white cubes are “Warriors”.  Really?   I feel like those are poor choices.  Shouldn’t black cubes be Ares troops?  (All the bad guys cards are black!)  And maybe blood red cubes or grey cubes should  be corrupted Amazons.  It’s fine, it just seemed … athematic/cheap. EDIT: maybe it’s for color-blind people ?  If so, I withdraw my objection to the colors chosen.

Solo Game

Gah!  No solo game! (Hello?  Saunders’ Law?) The box says “2-5 Players”.  So, I did a standard “trick” for solo play: I played two characters.  This worked pretty well, but there is some subtlety here.  In the game, you aren’t allowed to talk once you’ve seen your face down cards.  You have two cards up you can all see, but everyone also has 3 face down cards.  I think, thematically, you are strategizing, then once you get into the field, you can no longer communicate as much.

For solo play, this can still work:

1. Strategize with yourself what each character will do “in broad terms”.  I.e., “Wonder Woman (character 1) will go after Ares and Artemis (character 2) will go after Ares troops on the other side of the board.  I plan to use one of my face up cards in action spot 3 because it will double the effect!  Meet up with me on the same space if you can!!”
2. Turn over the 3 face down cards for character 1 and plan out her turn! Assign 3 of the 5 action cards to the 3 action spaces FACE DOWN.
3. Move on to the character 2.  Without looking/remembering what you did for character 1, go ahead and plan out character 2.  This can be a little tricky, but try not to remember what cards you played  for character 1 when you plan character 2’s turn.  Assign 3 of the 5 action cards to the 3 action spaces FACE DOWN.
4. Turn over each player’s action 1 spot simultaneously.  Decide what to do (which action on the card).  You can perform these in any order!  (Player-Selected Turn Order).   Then do the same for the action 2 spot, then the action 3 spot.  Basically, just like a 2-Player game, except you are playing two characters.

I was able to get through a full solo game with these rules.  Honestly, it worked pretty well.   (It felt “sorta” like the solo rules for The Shipwreck Arcana: you have to “forget” what you did as one role when you do the next.)

Rulebook

The rulebook is, in general, fantastic.  It’s easy to read and follow along with.

The first pages show all the components.

The next pages show how to set-up the game.

The rulebook teaches the main rules, then shows exceptions.

This rulebook made it very easy to get going very quickly.  This is one of the better rulebooks I’ve read in a while!  My only complaint, I think, is there was no section for FAQs or typical questions; I had a few questions when playing that I am sure others have had too …

“Can I pick up a Relic if I land there?  Do I have to wait to the end of all actions or just one action?  It says at the end of the action, which implies I can pick it up immediately, but I don’t know”

Game Summary

There’s even player summary cards!

The game flowed pretty quickly: Ares acts and moves, then “does something bad” (adds more troops, the corrupted Amazons move towards the palace, something like that …).

The good guys (pardon me, good gals) then do good stuff.  Generally, each player gets 3 actions, chosen from one of 4 emblems (symbols) on a card that they have chosen to play.

More concretely:

1. Each character gets 2 face up action cards each.
2. Players look at their face up cards and “broadly strategize” (honestly, not a pun).  Players talk about what they are going to do and maybe even decide to use one of their face up cards.
3. Each player then gets 3 face down cards.  No more talking.  Each player now assigns 3 of their 5 cards to their 3 slots. FACE DOWN.
4. All players now simultaneously show the action card in slot 1.  In Player-Selected Turn Order, the players cooperatively decide who should play what action from their card.  Once they are done, repeat for slot 2 and slot 3.

The good stuff the characters can do: FIGHT, SUMMON WARRIORS, WISDOM, MOVE.

• FIGHT (sword): do damage to Ares’ troops (2 swords) or Ares himself (4 swords).
• SUMMON WARRIORS (star): If you are on a “starred” Location, summon Warriors (white cubes) which you can use to give extra pluses if they are on your Location.
• WISDOM (book): Turn corrupted Amazons back to good (well, send them back for therapy: they don’t come back on the board)
• MOVE (footprints): Either move or use 3 move to take out a barricade between Locations.

Once all the Good Gals have gone, your Defense goes down for every Ares’ troop on the board or corrupted Amazon in the Palace (by 2).  If you reach 0 defense, you lose!  If you take Ares down to 0 Hit Points you win!

First Game

The first game was easy to set-up and get going.

I played conservatively, and I think it took about 2 hours.  Which is surprising, because the box says 45-60 minutes!   I went through the Hero deck about 2.5 times, and I just barely beat Ares when his last card came out.  Turns out, I didn’t need to beat him then: I could reshuffle his deck and the game keeps going …  I probably could have played another 15 minutes, but I went for the final shot at Ares!

I had fun, but it felt a little repetitive after a while.  I think it’s because my play style was to always eliminate all threats (Ares’ troops, corrupted Amazons) when possible and do damage to Ares if I could.  Basically, I kept the Bad Guys under tight control, and they were never much of a threat.

I never used the SUMMON WARRIOR action.  Ever.  There’s only a few places on the board where you CAN summon warriors, so first it’s hard to do.  And frankly, warriors seem like a liability.  Why?  Because so many of Ares’ actions are “Corrupt Amazon warriors” (turning them into corrupted Amazons).  So, I spend the resources to summon them, only to have to have turn into something I have to deal with?  No thanks.  It never made sense in my game.   I don’t know if other games will go like this, but I am very concerned that this will be an issue.

Conclusion

So, I like this game.  I had fun.  Some components, like the mins and the board are great, the cards are decent (the art is good, but the card quality is just okay), and the cubes are probably the weakest components.  I am concerned that the game might be repetitive, and that the SUMMON WARRIORS doesn’t ever get used.  Luckily, there’s still 2 more Big Bad Villains to fight (Circe and Cheetah), so the game may take on a whole different dimension.

I plan to play some more solo games and some more multi-player games.  Stay Tuned.

 

 

 

 

Some of you might recall me doing the Review of Unicornus Knights: Part I some time ago.  Basically, I enjoyed the game enough, but was frustrated with the rulebook.  I knew they were doing a 2nd version of the rulebook (but NOT the game), so I  wanted to see if it were easier to play.   Honestly, it fell by the wayside and I didn’t get a chance to try out the new rulebook.  Recently, however, one of the designers (Kuro) of Unicornus Knights was launching a new game on Kickstarter (Testament) and that reignited my interest in trying out the new Rulebook.

New Rulebook

The updated version 2.0 of the Unicornus Knights rulebook is available here.  I went ahead and had both versions opened at the same time so I could compare and contrast the two.

I very quickly learned something new that I hadn’t known in my other playthroughs: the empire tiles are black and the kingdom tiles are brown.  How/Why did I did not know/notice that!?  Because the new rulebook points it out (above, upper right) and the old rulebook does not (above, lower right) right.  So, right away, I am happier with the new rulebook!  And yes, there are definitely differences!

Set-Up

Interestingly, the basic set-up has changed and is less random.  All the Kingdom Tiles are on the left and right rather than randomly mixed in the last 6 placed.

I think this is partially a “simplify set-up issue” (it’s always nicer when the set-up is easier) and a “make the game less swingy”.   If too many kingdom tiles come up in the middle of the board, you could see how that would make the game easier as the Princess could simply stroll through those regions.  Now, the game always starts with the Kingdom tiles on the left and right (13-18).

I am glad to see them addressing balance: it shows that the changes to this rulebook aren’t cursory!  They represent some major changes … which is good. This rulebook needed some major changes.

Playthrough

How did my first playthrough go?  It went well!  It seems like they addressed most of the issues I had with the rulebook:

1. Combat: By far my biggest problem with the old rulebook was combat.  The updated section on Aggressive, Normal, and Defensive units seemed to answer a lot of questions.  The sections had more examples of combat.  I haven’t played this game in some time, so I forgot a lot of it.  But, when I played using the new rulebook, I wasn’t confused.  Or rather, I could find examples/explanations for most of what I wanted.  I think the new rulebook handles combat far better.
2. Fate: Rather than being a “sidebar”, Fate was now integrated into the rulebook main flow.  As it should be!  (My complaint from the previous version of the rulebook was that Fate was in a sidebar.  Fate is FAR too interesting to be in a sidebar you could miss!)

A few things fell by the wayside:

1. Player Summary: It would have been nice if the last page of the new rulebook were a player summary.  This isn’t any deal breaker, but a player summary on the last page (which could have been printed for all players) would have been nice.
2. Notating Fate: Fate is a pairwise relationship, and I feel like there isn’t a good way to do that.  You can see from my picture above that the gameboard TAKES UP THE WHOLE BOARD, so their suggestion of moving cards around isn’t really practical.  Some extra tokens might have been nice, but it’s not something a new rulebook could do. 🙂

Solo Mode

My biggest complaint was that there WAS STILL NO SOLO MODE  IN  THE GAME!  Seriously, this game is great as a solo game!  So, what I am doing to play solo?  I am just playing 3 kingdom characters at once.   That’s it.  And it works GREAT!  I am really surprised the updated rulebook didn’t add something like this:

A solo player can play 3 kingdom characters at once (as if playing a 3-player game). Like the 2-Player game (when the  players may decide the order the kingdom characters play), the solo gamer can play the 3 kingdom characters in any order he chooses.

Okay, that second sentence is strictly not necessary, but (a) I love Player Selected Turn Order and (b) it’s consistent with what the game does in 2-Player mode.

Conclusion

With the newer rulebook, this is a great game.  I was able to get all the way through a game without feeling too confused.  And all the stuff I loved before, I loved again.  Unicornus Knights made the number 4 position on my Top 10 Cooperative Card and Board Games of 2017.   And you know what?  I like this game even more now.  Maybe it’s because I am not as frustrated as I was those other times with the original Rulebook.

This is a great game.  But ONLY if you get the new rulebook. Here’s the link again.

 

Click to access UK-Rules-LowRes.pdf

Click to access UK-Rules-LowRes.pdf

There’s a number of very big and  very interesting cooperative board game on Kickstarter right now.  Our cup runneth over!

Marvel United

https://www.kickstarter.com/projects/cmon/marvel-united/description

Play as one of your favorite Marvel superheroes … in Chibi form?  There’s a lot of miniatures, and lot of Kickstarter-only miniatures!  If you are even slightly interested in this game, it may behoove you to get it on Kickstarter because of all the exclusives.  I don’t know if the game itself is any good, but Eric Lang is one of the designers: he’s a well-known and respect CMON designer (he was the designer on Blood Rage and Rising Sun to name a few).

Batman: The Animated Series Adventures

https://www.kickstarter.com/projects/idwgames/batman-the-animated-series-adventures?ref=user_menu

Marvel not doing it for you?  How about DC?  Yep, if you like the Batman universe and wanted a fully cooperative game, then … this game has a cooperative mode.  Now, the default mode is one vs. many, but if Detective: City of Angels has taught us anything, a one vs. many game can have a great cooperative mode.

Like Marvel United, this one has a ton of Kickstarter exclusive minis, so again, if you are at all inclined to like this, better scoop it up now!

Testament by Japanime

https://www.kickstarter.com/projects/370924922/testament-2/description

This one isn’t doing as well, but I am very excited for this cooperative game for one reason: the designer is the same as Unicornus Knights, a favorite co-op of mine from a few years ago (it made my number 4 spot in my favorite cooperative games of 2017, just below Spirit Island).  So, even though the rulebook for Unicornus Knights needed a LOT of work (see my review here), I loved the game! I hope they learned their lessons so that the rulebook for Testament will be better!!!   Although the game  has funded, it needs some more love.  Check it out!

Aeon’s End: Outcasts

https://www.kickstarter.com/projects/2012515236/aeons-end-outcasts?ref=user_menu

Although I think I might already have too much Aeon’s End content, it’s a fantastic game! Aeon’s End made the top spot(s) on my Top 10 Cooperative Deckbuilders.  Aeon’s End: Outcasts is a big box expansion adding more!  You can also go back and pick up any of the original Aeon’s End stuff too … see my review here of Aeon’s End and War Eternal.

Yes, I backed this.  Like all the other ones too.  Shut-up.